The Grand Duke

Gilbert and Sullivan

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The first fully staged professional UK production since 1896. As part of it's commitment to rediscovering forgotten theatre, The New Actors Company revived this neglected operetta by theatre's most well known writing duo.


Apart from a concert version produced by D'Oyly Carte Opera Company in the mid-seventies and a handful of amateur productions, Gilbert and Sullivan's final operetta, The Grand Duke, has not been seen in a fully staged professional production in the UK since the original production in 1896.


Directed by Martin Milnes

Musical Direction John Owen Edwards

Choreographer/ Assistant Director Brendan Matthew

Associate Choreographer Laura Hyde

Repetiteur/ Associate MD Ross Leadbeater

Designed by David Shields

Costume Design by The Costume Design House


Cast List

Stefan Bednarczyk as Ludwig Victoria Byron as Lisa Sylvia Clarke as Baroness Curtis Dabek as Herald Tammy Davies as Bertha Bruce Graham as Notary Philip Lee as Ernest Matthew Markwick as Chamberlain/ Supernumerary Ciara O'Connor as Elsa Stiofan O'Doherty as Rudi Charlotte Page as Julia Jane Quinn as the Princess of Monte Carlo Robin Rayner as Ben Hashbaz Guy Mott as Chamberlain/ Supernumerary Richard Suart as Rudolph Matthew James Willis as Franzel Mark Lawson as Otto Ben Newhouse Smith as Chamberlain/ Supernumerary Martin Lamb as The Prince of Monte Carlo

The Play

In the Grand Duchy of Pfennig Halbpfennig, the theatrical troupe of Ernest Dummkopf is plotting a conspiracy to overthrow the tyrannical Grand Duke Rudolph. Ludwig, the troupe's leading comedian, fights a number of "statutory duels" and finds himself taking the place and the title of the Grand Duke...but when legions of women arrive to claim Ludwig in marriage to become his Grand Duchess, including an indignant leading lady, an enormously wealthy old battleaxe, and even the Princess of Monte Carlo, how will matters resolve themselves?


With the aid of an eclectic array of travelling players and aristocrats, four weddings and enough sausage rolls to last several lifetimes, Gilbert and Sullivan's final 'Savoy Opera' is full of Topsy Turvy paradoxes, legal conundrums and absurdities of etiquette. Far more than just a historical curiosity, The Grand Duke displays a much sharper satirical edge than any of Gilbert and Sullivan's other works.


Production shots

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Press

Guardian Logo

This is the first fully staged British professional revival of this unloved comic opera... One can only salute the heroic dedication of director Martin Milnes and his 19-strong cast.

Michael Billington

Observer Logo

Sung with vibrant lustiness... The show, packed to the gills with devotees of this enterprising theatre’s musical rediscoveries, may yet strike a chord in our own grand duchy... What could be more appropriate for the era of Pastygate than a sausage-roll operetta?

Susannah Clapp

One Stop Arts

The wonderful and large cast playing on this small stage and auditorium present a powerful exhibition of talent

One Stop Arts - Lindsay Stockley

"Martin Milnes' smashing production, wonderfully cast, ensured that 'The Grand Duke', newly-discovered, was a joy from start to finish."

Fenella Fielding

It totally destroys the myth, once and for all, that Gilbert and Sullivan's last opera is a damp squib not worth reviving. On the contrary, the piece is a neglected classic.

Mike Leigh

In Martin Milnes' production The Grand Duke looks less like Gilbert and Sullivan's forgotten curiosity and more like an unduly neglected gem.

Gyles Brandreth

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